Creativity of Language · Feeling God's Pleasure · Pleasure of Creating

Bruce Hornsby and Touching Transcendence

Bruce Hornsby at the Wanee Festival, 2012 by  Mark Johnson, Blue Ridge, SC via Wikimedia Commons
Bruce Hornsby at the Wanee Festival, 2012
by Mark Johnson, Blue Ridge, SC via Wikimedia Commons

How many artists strive for excellence and transcendence?

Recently I heard Bruce Hornsby, one of the best, if not the best rock/jazz/pop/blues pianists in the country, in concert at the Kent Stage. I knew him from his days with his band “The Range” from the 1980’s and love his mega hits “The Way It Is” and “Mandolin Rain.”

At this stage in his career he is exploring different musical languages and creating new sounds and effects. For his latest cd “Solo Concerts” and during the live concert he mixed the modern classical music of Schoenberg and Elliott Carter with New Orleans blues, modal folk, hymnal, and boogie. A few times he began a familiar piano riff from one of his radio hits, but then segued into atonal bars and never returned (as far as I could tell) to the familiar.

The liner notes from “Solo Concerts” says that he is searching for “inspiration, challenges, and new vistas…a search for inspiration and transcendent moments; moments that give you chills, make you cry, laugh, or make your head move.”

Emily Dickinson talked about the power of art (in her case, writing) to take the top of your head off. I admire Bruce’s quest for excellence, for inspiration and big moments. I think sometimes we are so focused on producing clean copy for an editor or an “aha!” for our audience that we don’t recognize the “aha’s” that are there for us as well.

If the artist doesn’t touch transcendence, how will the audience?

In future posts I’ll be discussing what “touching transcendence” means.

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